Michael Marsland

Langdon Hammer

I am a professor of English at Yale University, where I teach and write about modern and contemporary poetry.

I study the cultural history of poetry, its long past and its future. I am interested in the ways in which the poet’s life has been imagined and lived. I’m concerned with literary biography and literary theory (enemies, in most people’s minds). I am an archival scholar and a close reader. I edit texts.   I pore over letters and diaries. I look at the poem on the page (or screen) and listen to it in the ear (which involves acoustics, but also what Robert Frost called “the imagining ear”).   My subject is poetics, of all kinds. I agree with Emily Dickinson: “If I feel physically as if the top of my head were taken off, I know that is poetry.”

My James Merrill: Life and Art, a critical biography, was published by Knopf in April 2015. My work on this book was supported by research fellowships from the Guggenheim Foundation (2003-04) and the Leon Levy Center for Biography at the Graduate Center of the City University of New York (2012-13), and by residential fellowships from the James Merrill House (2008) and the Bogliasco Foundation (2009).

While writing James Merrill, I edited two volumes for the Library of America—The Collected Poems of May Swenson (2013), the first collected edition of Swenson’s work, and Hart Crane: Complete Poetry and Selected Letters (2006). My first book, Hart Crane and Allen Tate: Janus-Faced Modernism, was published by Princeton University Press in 1993, was the subject of review-essays in Modernism/Modernity and the Times Literary Supplement, and was named a “Breakthrough Break in Literary Modernism” by Lingua Franca. In a sequel to it, using correspondence collected by Brom Weber, Crane’s first editor, I introduced, selected, and edited an enlarged and authoritative volume of Crane’s letters called O My Land, My Friends: The Selected Letters of Hart Crane (Four Walls Eight Windows, 1997).  That book was reviewed in the Boston Globe, London Review of Books, Nation, and New York Review of Books.

I have published essays on many twentieth-century poets, including:
Plath at War in Eye Rhymes: Sylvia Plath’s Art of the Visual (2007)
Hall of Voices: Richard Howard, Parnassus (2006)
Frank Bidart and the Tone of Contemporary Poetry, Southwest Review (2002)
Plath’s Lives, Representations (2001)
Thom Gunn: The Cool Queer Tales of Cupid, Raritan (2000)
Useless Concentration: Life and Work in Elizabeth Bishop’s Letters and Poems, American Literary History (1996)

My poetry reviews include:
Notes from the Air: Selected Later Poems
by John Ashbery, New York Times Book Review (2008)
Horse Latitudes and The End of the Poem: Oxford Lectures
by Paul Muldoon, New York Times Book Review (2007)
A Short History of the Shadow
by Charles Wright, Los Angeles Times Book Review (2002)
Electric Light
by Seamus Heaney,
New York Times Book Review (2001)
The Triumph of Love
by Geoffrey Hill, New York Times Book Review (1999)

Since 2004, I’ve been the poetry editor of the American Scholar, where I have selected and written short introductions for poetry by Robert Pinsky, Adam Fitzgerald, Ansel Elkins, Louise Glück, Peter Cole, J. D. McClatchy, Robin Robertson, Angie Estes, Spencer Reese, Kevin Young, Christian Wiman, John Koethe, Ellen Bryant Voigt, John Ashbery, Eavan Boland, Elizabeth Alexander, Maureen N. McClane, Gary Snyder, Rosanna Warren, Henri Cole, Kay Ryan, John Hollander, Carl Phillips, Heather McHugh, Michael Longley, Thylias Moss, and Charles Simic, among many others.

I graduated from Yale summa cum laude with a major in English in 1980 and earned my PhD in English from Yale in 1989. I joined the Yale English Department faculty in 1987, was tenured in 1996, chaired English from 2005 to 2008, and began a second term as department chair in 2014.

My courses at Yale include Major English Poets (from Chaucer to…T. S. Eliot, Wallace Stevens, Elizabeth Bishop, or Derek Walcott—the last poet changes!), a seminar on The Life of the Author, and the lecture Poetry Since 1950. My lectures on Modern Poetry were recorded and transcribed as a pilot course in Yale’s Open Access Video Project and reviewed in The New York Times (2008) and in the Chronicle of Higher Education (2012).

Recent graduate courses at Yale have included seminars on the theory of the lyric and research workshops on modern poetry based in Yale’s Beinecke Library. I’m especially proud of my role as an advisor to graduate students. In 2011, I won Yale’s Graduate Student Mentor Award in the Humanities.

I’ve also led numerous seminars on poetry for public school teachers in the Yale New Haven Teachers Institute and the Yale New Haven Teachers Institute National Initiative.

I’m at work on several books right now. With J. D. McClatchy and Stephen Yenser, I’m editing The Selected Letters of James Merrill for publication by Alfred A. Knopf. For The Oxford History of Poetry in English, an eighteen-volume work, I am the coordinating editor for three volumes on American Poetry and the volume editor for American Poetry since 1939.

And I’ve just begun work on a critical biography of Elizabeth Bishop.